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Exhibition Review: Ferdinand Hodler at Neue Galerie

October 12, 2012

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Ferdinand Hodler: View to Infinity, The Neue Galerie’s exhibition of late works by the Swiss symbolist (1853-1918), is structured around three distinct phases of Hodler’s mature work: symbolist paintings from the 1900s and early 1910s; a series of drawings and paintings documenting the decline and eventual death of Hodler’s lover Valentine Godé-Darel, from 1913-1915; and […]